![]() ![]() In several of my earlier books on education, I mention that in low achieving schools the most negative room in the school is not where the students are. You’ll find that the strategies and activities I offer will not be effective if you have a negative attitude toward children of color. I can offer all the solutions in the world, but if you don’t like or respect children, if you don’t want to teach in a African American or Hispanic school, or if your first choice was to teach in an affluent school in a White suburb, you won’t be effective in a classroom with African American/Hispanic students. If you don’t know them, chances are you won’t like them. I insist on providing context because I believe that to teach children you must know them. In fact, I offer many solutions but only after providing some context about children of color. ![]() ![]() I don’t need to understand the history, culture, values, and challenges affecting my children. Kunjufu, in this one-hour workshop, if you can just give me ten solutions, I’ll be satisfied. It’s as if teachers do not want to understand theory, philosophy, values, or culture. Over my almost 35 year career providing school in-service workshops, I have been asked countless times to provide solutions to the problems teachers are encountering in their classrooms. ![]()
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![]() ![]() ![]() ‘Why do you need your car, anyway?’ she asks, leaning down to smooth the mixture over, her tongue resting on her bottom lip in concentration. ‘Get out!’ She bats my hand away with her spoon. I scoop my phone up from the chunky table and dunk my finger in Kate’s cake mixture. Yes, my personal organisation skills are pretty shocking, especially since I’m an interior designer, who spends all day coordinating and organising. I make my way downstairs, finding Kate in her workshop spooning cake mixture into various tins. ‘Hiding again,’ I mutter to myself, grabbing my tan belt, heels and laptop. I dart across the landing in a complete fluster and find my car keys under a pile of weekly glossies. ‘They’re on the coffee table where you left them last night.’ She rolls her eyes, taking herself and her cake mixture back to her workshop. ‘Keys! Have you seen my car keys?’ I puff at her. It’s an expression I’ve become use to recently. ![]() She looks up at me with a tired expression. I hear the familiar sound of a wooden spoon bashing the edges of a ceramic bowl as Kate appears at the bottom of the stairs. Where the hell are they? I run out onto the landing and throw myself over the banister. On a Friday, after being on time all week, I’m going to be late. I rifle through the piles and piles of paraphernalia that’s sprawled all over my bedroom floor. ![]() ![]() ![]() “As you read this remarkable first novel you will feel the room temperature drop. Don’t start this novel at night if you need your beauty sleep-you’ll stay up to all hours devouring its pages.” -Alice LaPlante, New York Times bestselling author of Turn of Mind “This eerie and compelling debut is a riveting page-turner, narrated by a strangely hypnotic yet dubious young woman who works as a typist for the NYPD in the 1920s. The best book I’ve read so far this summer.”- Greenwich Time “If you liked Gone Girl, you might enjoy. ![]() She captures it quite well, while at the same time spinning a delicate and suspenseful narrative about false friendship, obsession, and life for single women in New York during Prohibition.” - Booklist “With hints toward The Great Gatsby, Rindell’s novel aspires to recreate Prohibition-era New York City, both its opulence and its squalid underbelly. Ripley in this psychological thriller by first-time author Rindell.”-Los Angeles Public Library's Best Fiction of 2013 “It's The Great Gatsby meets The Talented Mr. ![]() "Rindell's debut is a cinematic page-turner." - Publishers Weekly A deliciously addictive, cinematically influenced page-turner, both comic and provocative." - Kirkus Reviews (starred review) ![]() "Take a dollop of Alfred Hitchcock, a dollop of Patricia Highsmith, throw in some Great Gatsby flourishes, and the result is Rindell’s debut, a pitch-black comedy about a police stenographer accused of murder in 1920s Manhattan. ![]() ![]() There are two main places to find other people messing around with mynt: GitHub and IRC. You can also check out what people are making with mynt if you prefer working off of examples as many are open source. ![]() Otherwise, if you're familiar with static site generators in general, the other more reference style doc pages may be a better jumping off point for you. If you're looking to get up and running quickly, give the quickstart guide a read. Freedom in the markup language and rendering engine used.Automatic generation of common pages such as those for archives and tags. ![]() Multiple ways of getting post data, whether ordered by year and month or by tag.That's where mynt comes in, being designed to give you all the features of a CMS with none of the often rigid implementations of those features. ![]() With the ever growing population of static site generators, all filling a certain need, I've yet to find one that allows the generation of anything but the simplest of blogs. ![]() ![]() How you thought you would change the world. ![]() Or that you'd be inspiring a new generation of children as a teacher. But remember back to when you were a kid, and you imagined that being a firefighter was going to be the best thing in the world. We can also forget how fun being a grown up can be, bogged down as we are by mortgages, horrible co-workers and endless deadlines. I think sometimes as much as we love books, we can all take the book world for granted. This book reminded me of the joy to be found in picture books, of the FUN that can be had. The sense of joy, the wonder, the excitement about the possibilities of adult life was so powerful and motivating. The girl's concept of the grown up world was fantastic and touching at the same time. What really struck me was how great a job Sally Lloyd-Jones did of capturing a child's view of the world and presenting it. In the same way that Toy Story is also geared for adults, this book is full of plenty of humour for the growed ups narrating this story as well as plenty of fun for kids. ![]() ![]() This picture book is the perfect example of what picture books are so incredibly awesome - a fact I think we grown ups sometimes forget, especially if we don't have kids to read to in order to remind us. ![]() ![]() ![]() Each day of this beautiful devotional offers encouragement and direction to become the mother God has called you to be. A mother living well in her God-ordained role is of great beauty and inestimable value to the future history of any generation. In a world constantly vying for our attention, it can be easy to get caught up in the chaos. Beloved author Sally Clarkson shares her heart and wisdom for mothersand offers hope for each day. ![]() Daily Devotions for Lifegiving Motherhood by Sally Clarkson Write The First Customer Review. We have new and used copies available, in 1 editions - starting at 11.45. Spend the year with Mom Heart Moments, the first devotional by beloved author Sally Clarkson, and discover how as a mother you can draw closer to the heart of God. Buy Mom Heart Moments: Daily Devotions for Lifegiving Motherhood by Sally Clarkson online at Alibris. Fun, comfort, humor, graciousness, spiritual passion, compassion for the lost, hospitality, chores, meals, training, life-giving words, hours and hours of listening and playing and praying and reading-all are parts of the mosaic of soul development. People love to tell expecting or new parents that their lives are going to be miserable, Reason magazine senior editor Elizabeth. Her impact is irreplaceable and necessary to the spiritual formation of children who will be the adults of the next generation. 13 parents on the best reasons to have children. ![]() Beloved author Sally Clarkson shares her heart and wisdom for mothers-and offers hope for each day.Ī mother living well in her God-ordained role is of great beauty and inestimable value to the future history of any generation. ![]() ![]() ![]() It’s up to Brendan, Eleanor, and Cordelia to reenter the book world one last time to keep the worlds from colliding, causing mass destruction."-Īccess-restricted-item true Addeddate 16:02:36 Associated-names Vizzini, Ned, 1981-2013, author Rylander, Chris, author Call, Greg, illustrator Boxid IA1924019 Camera USB PTP Class Camera Collection_set printdisabled External-identifier When a frost beast is spotted in Santa Rosa-and more mystical creatures start appearing all over America-it’s soon clear that the characters from Denver Kristoff's works are invading the real world. especially when the colossus Fat Jagger turns up in San Francisco Bay-and he’s in danger! With the police closing in, the Walkers must figure out how to save their giant friend. "With their last adventure just barely over, the Walker kids thought life would finally go back to normal. ![]() ![]() ![]() The historical elements were interesting and seeing how a tobacco farm would be run in the 1600's was fun to experience but I just thought that the book lacked a bit of polish. His constant mood swings and changing his mind every time something came up just frustrated me. I did enjoy the characters, mainly Constance and Mary but Drew (the love interest) kept making me mad. I would suggest choosing one or the other and making it consistent rather than switching. Lots of historical speech but then lapsing into a more modern tone. ![]() This book was fun and I got a few giggles out of it but the language was uneven. A Bride Most Begrudging's back drop in 1643 and is set during the tobacco boom of Virginia and the tobacco brides that help "settle down" the farmers. These were facinationg for me because they took me to the pioneers and how the American west was settled. I grew up reading Jeanette Oake's books, like Roses for Mama and A Bride for Donnigan. ![]() I have to admit that historical christian fiction is a guilty pleasure of mine. ![]() ![]() Byron’s energies, as the essayist William Hazlitt noted in a review of Don Juan written days before Byron’s death, are directed against the listlessness and despair that would otherwise drag him down. The poem is full of vitality, but as everywhere in Byron vitality, it is a response to an intensely pessimistic view of life and of the world. In fact, in one of those letters, to his friend Douglas Kinnaird, his expression of self-delight with the first two cantos captures that voice perfectly: “As to Don Juan, confess, confess-you dog and be candid-that it is the sublime of that there sort of writing-it may be bawdy but is it not good English? It may be profligate but is it not life, is it not the thing? Could any man have written it who has not lived in the world?-and tooled in a post-chaise?- in a hackney coach?-in a gondola?-against a wall?- in a court carriage?-in a vis a vis-? on a table?-and under it?” ![]() Unlike the Satanic self-dramatizing that was the source of his fame in the 19th century, in Manfred and Childe Harold’s Pilgrimage especially, Don Juan shows Byron at his most self-aware, and the voice of the poem is very close to the voice of his letters. ![]() By NASRULLAH MAMBROL on Februĭon Juan is nowadays regarded as Byron’s crowning achievement and his greatest long poem. ![]() |